Search: Starring Demi Moore

Pointless American drivel.

Estevez uses Bobby’s words too much, but you can’t blame him, because Kennedy’s compassion and sympathy for the underprivileged shines.

Moore, so often miscast in her youth, has been waiting a long time for a role like the one she has here.

As a visual piece of pop video-influenced whambammery, it is perfectly pitched.

Rarely becoming laugh-out-loud funny to compensate for any sophistication in the conceit, Corporate Animals is at its best when it takes the ludicrous scenario into the craziest, ickiest areas.

The film boasts at least one lovely switcheroo plot twist.

The film is enjoyable enough, but unfortunately Kiefer Sutherland is not Alan Ladd.

More televisual than cinematic, Half Light is too chocolate boxy and clean to be completely convincing, but it's a diverting enough story.

I suspected there'd be ideas introduced that lesser films would attempt to spin out while this grabbed another and another and another, and so it came to pass.

Probably the most romantic picture Lyne has attempted.

What also contributes to the film's success is its timeliness and the myriad little references and in-jokes that place it in a darker context.

Chandor makes good use of his acting assets and there's no doubt that he knows how to direct, but ultimately, the dullness of the script is just a little too toxic.

A thoughtful and engaging piece - it might not be as clever as it thinks it is, but at least it tries.

There are layers and layers of humour here, sometimes rooted in queer and theatrical traditions but mostly accessible regardless.

Brutal, bloody and enriched with a specific dark humour.

The film is like a time capsule and you can't help watching it with a car-crash fascination.